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David Garrett

They are presented as part of the narrative and, surprise, surprise, there is hardly an ugly note to be heard.

María Dueñas - Paganini - Caprice No. 16 - 2017 Zhuhai Violin Competition

The violin always projects a gentle, beautiful tone but make no mistake, the technique is immaculate. Other players may generate more excitement and make the caprices sound more demanding in terms of virtuosity but this young lady plays them with proper musicality and charm whilst also being technically flawless.

Works on This Recording

That is some achievement. This set completely overshadows many a version by star players from an earlier generation.

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As a result, having negotiated the merciless ricochets of No. Even the horncalls of Nos 9 and 14, which are normally despatched in martialistic strict tempo, sound alluringly seductive here. No 17 with its rippling downwards scales and high-octane middlesection octaves emerges as a poetic gem in its own right, while rounding off the set, each variation of No.

24 Caprices for Solo Violin, Op. 1

Some may crave a greater sense of visceral excitement in this of all violin works, although musically Jacobs is virtually in a class of her own. Zij beheerst de technische hoogstandjes zonder daarmee bravoure-achtig te koketteren. Zij speelt intense muzikaal zonder goedkoop effectbejag. Daarom bepaalde ze haar prioriteit bij een nadere bestudering van het feitelijke materiaal en de echte boodschap te zoeken en liefst een boodschap te vinden in de gedachtegang van de componist.

Sheet Music details

Dat ze ook een viooltechnische tour de force verricht, spreekt vanzelf, maar er zijn nauwelijks momenten waarop men het gevoel krijgt dat haar technische gaven tot het uiterste op de proef worden gesteld. The account of young Dutch violinist Lisa Jacobs is marked by an interpretation that is more interested by the narrative contents of the music than emphasizing its virtuosity.

Maestro Berman also provides how to practice the important passages: Enrich your know-how with fundamentals that will accompany the whole performance of Paganini Caprices and much more Both the lessons and the performances are shooted with 4K technology Edited with multiple camera viewing Watch in slow motion Easy to identify the details in playing which make the difference. Born in Moscow and son of the famous pianist Lazar Berman, he started his studies at the Tchaikovsky Conservatory.

Paganini: Violin Caprices, transcribed for flute / Marieke Schneemann, historical flute

Berman is a frequently asked Jury member in major violin competitions all over the world. Purchase conditions Buy single modules buy more modules any moment or Buy the Bundle offer to have the complete 24 Caprices series Lifelong member access to the videos If you're not logged in, by buying the series the system will automatically make you a free member, and you'll have access to free material on the lessons catalogue no further payment required.

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Follow to get notified when Musemeister has uploaded new scores. Their immense difficulty as well as their charm and imagination inspired contemporary violinists and subsequent generations alike. The pieces were never played publicly by Paganini, and he dedicated them "to the artists," implying that the caprices are not supposed to be mere virtuoso fodder.

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The sixteenth caprice is a perpetuum mobile, sixteenth notes constantly flying past each other until the final note. Constructive criticism is greatly appreciated!

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